12
Cop lights crackling at
a sobriety checkpoint was the last thing Phil expected. It seemed like he was
just in Susanville, amazed at how much it had grown, listening to no tunes through
town. He hadn't even talked to himself very much for company since getting
ditched by the hitchhiker, Haka. He knew what the problem there was. Too much
time by himself storing up things to say, and with an outsider’s insight due to
cutting himself off from the tube. Even to people who agreed with him he was
difficult, so trained had he become in the fight to enlightenment. Anyway, he
was glad he hadn't shared his writing. But now what did it all come to? No job,
no woman, and cop lights flashing in the desert.
There was another car in
front. A very nice and particularly expensive-looking limo. The cop was leaning
down, speaking to the people inside behind the driver, and he, the cop, was
also registering approving appraisal of the fine rich car in front, the
expensive limousine. Then they all seemed to Phil to be making their goodbyes,
the driver's window went up, and the cop was waving, actually giving a little
salute goodbye, smiling in a uniform so tight he could have stepped out of
“CHiPs.” The people in the wonderful limo tore off, swerving a bit, Phil
noticed, but when the cop saw Phil in his peeling old Pinto, all the smiling
fell away.
Now he showed a totally opposite attitude to the
affection displayed for the drunken speeders in the limo, and Phil saw in the
cop's face the look that said, “I
would never want that car.” Those were people with money for a good lawyer. People
with money for connections. Phil had enough money to be out driving in the
desert. Maybe he could pay some fines.
Suddenly, he remembered. He wasn't carrying any
insurance.
“Good afternoon sir, be advised we are currently conducting
a sobriety checkpoint—”
Phil didn't see any we.
“—and anything you say can and will be used against you.
License and registration, please, sir.”
Phil’s going for his wallet sent the cop’s hand to his
gun. “Nice!...annnd easy,” the officer said. The holster strapped on did not go
unbuttoned. But it was close.
Leaning toward the glove compartment, Phil hoped,
obstructed from the cops view the conspicuous lack of proof of insurance.
“I don't understand why
I have to show these things,” he said, handing over his driver's license and
freshly signed-over pink slip.
“Sounds like you're…trying to resist.”
“I gave you what you asked for. I only said I didn't
understand why.”
“That's it. Keep digging.”
Immediately Phil ceased talking.
The wind pushed at the cops hat, and he seemed to want
to put a hand up and hold it on, even though he wore a chin strap. He never
raised that hand, though. He wouldn’t give Phil the satisfaction. Tumbleweeds
rolled. All around the wide desert landscape through which the highway shot was
to be seen no one. The cop peeled a long strip of old paint from the car and
said in a flat, raised voice that he ought to cite Phil for littering. He
dismissed the strip of paint to the wind. It broke off from where the car had
been seriously keyed, a big ragged line going all the way around. “Okay, I'm
going to have to ask you to step out of the car now, sir,” said the cop,
backing up with a hand over the holster.
“Am I being arrested?” Phil almost asked this as he got
out, but didn't want to give the cop any ideas. He had to be careful, too, of
betraying the sore stiffness of remaining seated driving for hours, and control
any sort of sound, wincing expression, or jerky motion that might serve to
frighten, anger, or confuse. This sufficed for the cop, whose name, Phil saw by
the tag on his shirt, was Officer Lash, to have Phil walk a straight line front
and back, touch his nose with his eyes closed, and recite the alphabet
backwards before asking Phil (who passed each test successfully) to wait in the
car while he chatted near his cruiser, lights still flashing, speaking into a
device on his shoulder quite amiably. Then Officer Lash strode back over to
Phil, smile dropping lower every step, and said, “What's in the box in the
back?”
“A bunch of videos. Why?”
“A bunch of videos? Why don't you show me?”
Phil paused.
Sensing a weakness, Officer Lash pressed on. “Sir, do
you authorize permission to search your vehicle?”
Phil thought about that. Certainly he didn't want
Officer Lash to find the lack of insurance proof. And he had been given the option.
So, he said no.
“No?”
“Well, you did give me the option.”
“Do you have something to hide?”
“No. But you did give me the option.”
“Alright then. Okay. I guess I'll just have to call in
Officer Sniffy.”
“Officer Sniffy? Is there actually an Officer Sniffy? You're
joking, right?”
“Sir, Officer Sniffy is the name we give our K-9 unit.”
“So you can actually do this to people? I'm just driving
down the road, and now all of a sudden you can go through all my things, and
interrogate me, and threaten me with dogs, and take up my time when I did
nothing but drive safely down the road?”
The look on Officer Lash’s face said, “Oh? Why did you
feel the need to drive so safely, huh?” and the words might have come out of
his mouth as well, save for what was for Phil an unusually fortuitous circumstance:
a car came tearing past. At an exceptionally high rate of speed. It was a
Mustang. The red Mustang. Suddenly everything the cop was doing with Phil
screech to a dead halt. He raced over to his cruiser, churned up a cloud of
dust and roared off, sirens howling.
Phil rolled the window up and waited while the dust
passed. But the cop didn't come back. After a few minutes, Phil took off,
half-expecting Officer Lash to suddenly appear racing towards him, bullets blazing,
thinking he was in a high-speed pursuit shootout. A slight grade precluded
Phil's ability to see far enough down the highway to spot cop and quarry.
It was a good ten miles before Phil felt ready to give
himself a pep talk. When he was ready to start explaining to himself about the
pitfalls of leaving the comfort zone, he topped a rise right out of a Road
Runner cartoon and saw, way off to the right, far from the line of the highway,
the red Mustang, upside-down, surrounded by cop cars. A semi heading past went
at the perfect speed for Phil to stay on the left-hand side, keeping the truck
between himself and the cops beyond.
Then in the distance he could see it. The tower rising
dimly beyond. At thirty-three hundred feet tall, the tower stood in the background
visibly now even where the big green road sign said that Las Vegas was
seventy-seven miles away.
13
All the faces stared at
the flipped-up phone. Everybody was checking out a video Jordan had edited
together of highlights from Drunkfights. Royal hadn't shown up yet with the
shoe-in. Pooro lightly shadowboxed and trotted about now, keeping loose, warm,
limber. His black-and-white soul silently flickered Douglas Fairbanks in Zorro
gear, masked face thrown back laughing. He studied the faces staring at the
tiny screen. Who were they to be his audience? Who were they to judge? Why
should he please them? What horror could match that sea of faces watching? Primitive
beings, defecating hypocrites, beings with bad deeds made briefly pleased, only
to go back to the same behaviors, sorely mistreating, repeating mistakes. In
that sea of faces there was no awareness of a culmination. Simply a passing
spasm, soon to be forgotten. But his was not the audience experience.
The show got underway in the shadow of the tower on the
outskirts of the city when Royal showed up with Spooly, the HGH case shoe-in,
who everybody knew was twenty-two. Twenty-two years younger than Pooro. Pooro
was this guy’s age the year he left home.
Jordan touted the tale of the tape, with the gleam of a
boy about to see the guy who stole the holiday presents get his head chopped
off.
“In this corner we have, at twenty-two years of age,
standing six feet and one inch tall, weighing in at two hundred and sixty-five
pounds, Spooly!”
“Gig idth fuggin’ ath!” Sampedro, staggering off to the
side, slobbered through his missing teeth. “Gig idth fuggin’ ath!”
“And in this corner, ah yes. Let's see now, oh that's
right, forty-four fucking years old. Shit! And about, what are you? Five foot
nine? Five foot ten? Weighing in at two hundred-fifteen, next to my man's two
sixty-five...Pooro! Can't wait to see what happens here. Sorry though, looks
like bye-bye, Pooro. Don't you think? Pooro, I said don't you think?”
“Gig idth fuggin’ ath!”
The wind was picking up. High overhead, the clouds had
darkened.
It was experience versus inexperience, the real fighting
knowledge of a participant in it versus the theoretical fighting knowledge of
the spectator of it. Pooro's proven sustainable freak-strength ferocity,
stacked against the unknown quantity of Spooly, might have given Jordan and
Royal pause had their judgment not been clouded.
Spooly had aspirations for the big time. He said he
wanted to cut his teeth.
“Gig idth fuggin’
ath!”
Then came the little phone held up, held open, the tiny
eye, lidless, recording all on the minuscule screen. The thrill of watching a
fellow human being being beaten kicked in.
Pooro kept his laughing Fairbanks soul in frame under
gathering Cimmerian clouds and the powers of the universe came shuffling
through him in ecstatic truth, the money shot, in the Frazetta moment, as dry
lightning flashed in the sky like the neurons firing in his mind.
From the ground up, he knew: If everybody fought their
own battles, there would be no wars.
And: Sometimes your best friends are the dead and the
unborn.
And: Conformity is thought inbred.
And: Some never do leave school, the class just extends.
A sea of faces stared at the tiny screen. Off-camera the
shit-talk sounded tinny and shrill. They saw Pooro, with his black mask painted
on, as always, leap across toward Spooly, evade a swipe, and right away start
nailing shots to Spooly’s solar plexus, darting in, slipping away three times
in three seconds, merciless on the breadbox. Then suddenly he shifted his
stance and shot the stunned Spooly with a left cross to the neck. Spooly struck
out blindly and staggered Pooro backward—here the camera shook too much to see
exactly what was going on, then refocused on Pooro and Spooly in a clinch. After
a bit of that, Pooro’s hand could be seen reaching for Spooly’s face. Suddenly
Spooly started screaming. And screaming. Jordan got a close-up of Pooro’s left
thumb in Spooly’s right eye. Deep into the socket. He shoved his thumb in a few
more times, apparently for good measure, then pulled it out trailing a red mess
of pulp. Spooly stood crouched over, screaming. Some unintelligible speaking
came off-camera. Then Pooro flew back into frame, or rather his right foot, the
heel of which exploded into Spooly’s face.
Spooly sat off to the side now with a t-shirt from
Royal's truck held at his bleeding eye-hole. Several of his front teeth were
missing. Sampedro liked that. Pooro stood apart from the rest, wiping down his
face, hands and arms with a wet rag stained with blood, staring idly at the
tower . . .
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