Joaquin Phoenix proves himself yet again the real acting deal.
Sometimes one actor's portrayal of a character is sufficient reason to watch a film. This is one of those times.
If only it hadn't been so hyperly hyped. Industry decision-makers wrongly think overhyping forces "a too big to fail" situation. They hyped Aquaman for a full year before it rightly tanked the opening weekend. What they need to do is underhype, so they don't create a "too big to succeed."
That said, the story never really needed to have anything to do with a comic book villain. In fact, it would be better served as a film about a mentally ill person, and let that suffice without having anything to do with Batman at all. Reason being: Infantilization? We don't need no stinkin' infantilization.
Ah, but then if there's no built-in market, it's only a work of art. Kind of like Martin Scorsese's The King of Comedy (1982), the main movie on the coattails of which Joker blithely rides.
Upshot: Back in the early-'80s, Arthur Fleck (Phoenix), clown, gets picked on. He lives with his mom, he's skinny, he wants to be funny, but isn't. The most interesting thing about him is a mental condition where he laughs uncontrollably in stressful situations. After living out a scene from the Charles Bronson movie Death Wish (1974), in full post-work makeup, Fleck finds himself a Guy Fawkes-like figure, an inspiration to the majority poor tired of the deplorable privileged. Meanwhile, all Fleck really wants is to be funny and loved as a guest on his favorite TV show.
While the lead portrayal absolutely excels, the story overall leaves much to be desired. For example, no talk show--especially one that's supposed to be "The Tonight Show with Johnny Carson"--has ever, would ever, could ever do anything like what we're intended to accept in Joker. Also, at this time there weren't always cameras everywhere recording everything for there to be a video sent to fake Johnny, so no, we can't accept that the show would randomly display Fleck flailing at a club. That's a dumb and distracting mistake, and it's not the only one in the movie.
Yet in spite of all that, Phoenix's unforgettable performance rises beyond the otherwise forgettable occasion. He's in every scene. And he's highly watchable because he lost 45 pounds and all of his sanity for the role. In terms of interior life onscreen, wow, what a lesson in the art of acting. Talk about being to one's insane role committed, J.P.'s so right up there at Heath Ledger's Joker-level, why, it's positively crazy.
Could this Fleck guy ever possibly become Batman's arch-nemesis? Nope, no way. Nothing about this character allows for his ever masterminding a crime. Nor is there any of the "indiscriminate violence" which audiences may wrongly expect. Probably that was just a marketing ploy.
But hey, it's still an interesting movie.
JOKER
Starring Joaquin Phoenix,
Robert De Niro,
Zazie Beetz,
Francis Conroy
Directed by Todd Phillips
Written by Todd Phillips, Scott Silver
Based on characters created by Bob Kane
Runtime 122 minutes
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