Q: What do you get when you cross a story about a boy being bullied with a story about young love, plus a third one about real life as a vampire?
A: You get Swedish triple threat Let the Right One In (2008).
Thorough, detailed, subtle, complex, this highly original and satisfying film is so terrific, it was re-made in America as Let Me In (2010), starring Chloe Grace Moretz. But it's nowhere near as good at all. First because it's a ripoff, and second because the original has the writer of the novel also writing the screenplay. Plus the casting is off. More on that in a moment.
Upshot: Twelve year-old Oskar (Hedebrant) gets picked on by three kids at school. At the apartment complex where he lives with his mother, sometimes Oskar fantasizes about fighting back. One night when he thinks he's alone he finds the new neighbor kid from the next apartment watching him. This kid, Eli (Leandersson), also twelve, is full of all sorts of surprises, one them being related to gender. And this is why Moretz is a poor choice for the re-make. Lina Leandersson, on the other hand, is the perfect choice, to some extent due to at that time slightly more androgynous facial features crucial to the role.
So whereas Let the Right One In has cinematic teeth, Let Me In merely bites.
For most of the movie the viewer knows more than most of the characters. For example, that they're in a vampire story. A fact, by the way, explicitly revealed in all the marketing. It is, however, a vampire movie which shows no fangs, nor any bats, and not one castle. There is an unexplained supernatural element, yes, yet nothing to do with crucifixes or garlic.
Eli has a guardian, Hakan (Ragnar), whose grim task it is to procure fresh human blood so that Eli can eat. These scenes comprise a big chunk of the film's considerable charm. Largely this is due to the innovative clinical approach taken, but also because of the difficulty Hakan finds in accomplishing his goal without getting accidentally interrupted.
Contrasted against this graphic aspect, the pure clean innocence of the smitten youngsters who experience isolation for different reasons. As they grow closer, Eli counsels Oskar that when the bullies try to hit him, he must hit back harder than he ever dared. And if after that they still don't stop, then she'll step in and help.
"I can," she assures.
Quiet, simple, dark, and beautiful, Let the Right One In is a polished little gem of a movie in a class by itself.
LET THE RIGHT ONE IN
Starring Kare Hedebrant,
Lina Leandersson,
Per Ragnar,
Peter Carlberg,
Ika Nord
Directed by Tomas Alfredson
Written by John Ajvide Lindqvist
Based on th novel by John Ajvide Lindqvist
Runtime 114 minutes
Stewart Kirby writes for
THE INDEPENDENT
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