My name is Stewart, and I’m a novella-ist.
I’ve been mythologizing the redwoods since I used to lean
against the big hi-fi stereo in the living room listening to the Beatles. Dad
always said to not do that, because leaning against the speaker screwed up the
hatching. But I didn’t listen to him. I heard the music.
Years later, when I was eight, I had an ongoing story that I
told myself aloud on the paper route about tiny people that lived in another
world who rode rabbits and could come into our world through drainage tunnels.
I didn’t realize how loud I was saying this until Mrs. Gordon told Bonnie to
tell me she liked the story, but could I keep it down because I was waking her
up.
That was also around the time that Yvonne and Pat used to
ask me to tell them an ongoing haunted house story during recess. Just for fun.
Encouraged the hell out of me. They had no idea.
A few years later in high school, I spent a lot of time
writing Bladder Magazine, and that one I did eventually have to burn. But good
God, those were the years my brother and I constructed a life-size dummy, and
were all set to drag it across the far end of the football field during
Homecoming halftime, except on our trial run we saw there was just no way it
would work, and so wound up chucking it front of his ’74 Gran Torino going
forty on the Avenue one night, except, oops, it wasn’t his car—somebody else
hit the dummy instead—and kept on going—and that kind of thing would never have
happened if I hadn’t shared my Bladder with my brother and my friends, everybody
enjoying it just fine at the time.
Eventually, I got hooked on poetry.
Oh, editing and writing for the Cub Reporter, doing the same
at College of the Redwoods, and again at Humboldt State University, and writing
for This Week News and Review, and even writing for the last ten years with The
Independent—Southern Humboldt’s Only Locally-Owned Newspaper—none of that honed
my craft as well as several years of that private and devout exploration of the
self and the universe through language called poetry.
Which I generally can’t stand to read. And I never sit
around writing poetry anymore, ever since I started sitting around writing
short stories.
But I don’t do that anymore, either. What I do is stand
around and write novels.
After I tried novellas, it was only a matter of time before
I’d move on to short novels. Been on the hard stuff now for a while.
Heh heh, it’s not like I sometimes travel to my old grade
school, and sit there on the playground late at night, whispering spooky
stories to my imaginary friends. Don’t be ridiculous. Now the people trapped in
time thinking about eternity that I never see live in dozens of countries
worldwide. And I get to share my stories with them.
Indeed, must. On account I’m a story-creating addict.
Springing through garish discords of chiaroscuro, rays of a cinnabar moon
playing vociferous necromancy upon bedizened timber, double-dyed, all
polychromatic, hell yeah, that’s what I do. Well, plus I toolbelt-up. Splittin’
the wood, fixin’ the fences, buckin’ the hay, throwin’ up rooster tails on the
ol’ ATV burnin’ brodies, too—YEE-HAHH! Let
‘er buck! Later on, having cracked a brew and whatnot, I’d put on some Neil
or some Stones, whip out the pad and pen, and start thrummin’ through those prismatic
spinneys.
That’s why I’m here to tell you. Because I’ve been to the
cave. And I’m close to the forest.
Look, something’s going to ruin your life.
I was so enamored by your voice in this piece of writing - funny, homespun, and a bit weird - I had to check out your work in hopes there was more of the same. I've purchased Drifting Room and Hidden Springs, but Redwoodland leads to a 404 page on Amazon.
ReplyDeleteFrom what I've read so far, your writing reminds me of Clifford D. Simak, one of my favorite SF authors. He too set his stories in small communities (his in Wisconsin) and filled them with ordinary people in extraordinary circumstances.
I look forward to reading more.